The Whumpee: Male lead Seo Jung Hoo, a.k.a. Park Bong Soo, mild-mannered cameraman at a small-time news agency; also a.k.a. Healer, faceless king of late-night, dubiously moral odd jobs. Either way, just a guy with a Liam Neeson-esque skill set, no friends, and no connections trying to save up for a private island (yes, really). Drawn against his will into investigating a bizarre conspiracy, he wants nothing more than to finish the job and return to the shadows. As someone for whom remaining anonymous is the difference between life and death, Jung Hoo is neurotically private and unattached; as such, his whump moments involve huge character growth as he learns to love and trust and be vulnerable again after a lifetime of stoicism and secrecy.
Episode 13 [1:30-9:15]: Fleeing the scene of a caper, Jung Hoo suffers a deep cut on his arm; while someone runs interference for him, he staggers out onto the roof of the building and passes out from a mixture of blood loss and some pretty strong tranquilizers. Ajumma, his hacker partner, calls his love interest and leads her to where he’s conked out. She calls 911 and keeps him company while he’s unconscious at the hospital.
[It doesn’t sound like much, but everybody does their best to play up the drama and severity of the situation. Ajumma makes a big deal out of the tranquilizer.]
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Episode 13 [10:30-16:30]: After realizing from many, many context clues that he’s secretly Healer, Jung Hoo’s love interest returns to the hospital to find him up and at‘em. Despite being a covert agent his entire life, Jung Hoo is the worst possible liar and briefly babbles some excuses about sleeping pills and falling down the stairs (onto a roof? in a public office building? where you had literally no reason to be? Really, Jung Hoo?) before falling silent. Doofus that he is, he leaves the hospital without her.
Episode 14 [00:00-2:15, 4:30-7:00]: After suffering a major loss, Jung Hoo has a panic attack in a parking lot, holding his head and rocking back and forth, while his friends try to calm him down. Instead, he ducks his crew and sneaks into the morgue to confirm his friend is really dead, wherein the gravity of the situation really hits him and he has panic attack number two.
Episode 14 [45:45-end]: With Jung Hoo having gone completely off the radar for a few days after losing his friend, a worried Ajumma confronts Jung Hoo’s love interest and tells her how to find his secret apartment, hoping that she can coax him into opening up. When she arrives, she finds Jung Hoo in a near-catatonic state, to the point where he (adorably) thinks he’s still dreaming / hallucinating when Young Shin wakes him up. Fans of sickfics, rejoice! Young Shin spends the rest of the episode cooking and caring for him in a very fluffy way, while Jung Hoo spends the rest of the episode trying belligerently to kick her out of his apartment - not because he doesn’t want her there, but because after losing someone close to him and feeling like it was his fault, he cares for her enough to not want to see her to get hurt on his behalf.
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Episode 20 [52:45-54:15]: Duringa daring final caper, Healer is apparently shot. For about 90 seconds of glorious slow-mo, Jung Hoo falls to the floor and seems to bleed out while his friends freak out and mourn his death. But - psych! - the whole thing was, to no one’s surprise, faked in order to allow Jung Hoo and his“woman” to live happily ever after.In a transmutation of infinite mystery, he seeps into the interior of the character and disappears into its burning essence. He is the mind. He is the body. He is the history. He is Beethoven in the guise of Maestro Kang, his hair flying in the wind, the majesty upon him. He is Jang Joon-hyuk, the brilliant surgeon, relentless, amoral, the genius with the heart of ice and arrogance who leaves you haunted and weeping. He is the beautiful young man, Jong-woo, brave and ironic, stricken by Lou Gehrig’s Disease, in a state of dying as he falls deeply in love .
He devours the character and the character devours him. He is brutal to himself, going to the precipice in pursuit of the truth of the character, turning himself into a skeleton, emaciated and weakened, starving himself to the edge of life, disintegrating as the disease ate at him, consumed him, a 45-pound loss, suffering as Jong-woo, being Jong-woo.
And when it is time to let it go, he plunges into the abyss. Something is lost from him. Something that was buried in the deep of him.
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He struggled in obscurity for years, anonymous bit parts, amateur stage roles, faceless appearances in the world of Korean television drama, until the accumulation of despair overtook him and he made the dreaded decision to abandon acting and relocate to
- give up on it, give up. He would take his pregnant young wife by the hand and open an electronics business in
There had been high hopes. In 1996, he won the Sixth Annual Seoul Broadcasting System [SBS] Talent Contest, competing against 400 aspiring performers. In 2000, he was acclaimed Best New Actor and declared a “promising new face.” His 2001 debut as a lead actor in the dark suspense film, Sorum, drew attention and praise. Once again he was named Best New Actor.
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And yet, like a shadow, he returned to obscurity, disappeared off the radar; going nowhere. The terminal blow was the motorcycle stunt accident for the film, Stuntman, an acrobatic ride that resulted in a four month hospitalization, smashed legs, surgeries, pain and thoughts of letting go the dream. The year 2004 was a bottomless pit.
It was to be the strange confluence of destiny in the darkest hour, the beautiful birth of his son, Jae-ha and the simultaneous coming of the Immortal Admiral Yi Soon Shin, who arose out of the mist, the role that would transform his destiny, the true birth of his life as an actor. He viewed it as a gift from his son.
It was an epic role. Admiral Yi Soon Shin, heroic legend of Korean history who was victorious against the ferocious Japanese invaders, died at the Battle of Noryang on
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Kim Myung-min’s performance was of such power, so gripping, so intense, so deeply embedded in the blood and soul of the nation, that he was immediately elevated to the realms of artistic greatness. The year-long KBS television drama would run for 104 episodes.
“Playing the great Admiral Yi Soon Shin was the biggest blessing in my life. Dear Admiral, you gave me such mental anguish but now you give me this great award. You are truly great. I thank the Lord for bringing me Yi Soon Shin and encouraging me to restart my life…
“I’m truly appreciative of my great senior actors. They helped me when I made frantic attempts to mimic Yi Soon Shin. They covered my hollow performance. To our dear extra actors, thank you for giving your best shot even though you were playing minor roles…They had suffered in the battlefield filming
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“I feel grateful to my wife who had taken care of Jae-ha for about one and a half years. I love you so much. I promise that I’ll not act only for myself. Thank you.”
Among his greatest creations, Maestro Kang Gun Woo, [Beethoven Virus], world-renowned conductor; blistering, sharp, autocratic; fearsome detonations, cruel verbal assaults …and yet…and yet, a figure of supreme elegance and beauty, a rhapsodic conductor, the orchestra swept under his power, his magnetic spell.
Something there in the loneliness of him, old scar of childhood, old hurt deep in the heart ensconced by a hard, magnificent shell, the beautiful hidden vulnerability there in the eyes, in the slight breaking of the voice, the pain within.
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The Maestro walks with immense grace accompanied by his great companion Thoven, his large, utterly beautiful collie dog floating along beside him, as if out of a dream. And as Kang Mae [Maestro Kang] lies down exhausted on his bed late one evening, gulps a handful of pills, slips on his black sleeping mask, and falls into a deep, impenetrable slumber, he is unaware that the open bottle of sleeping pills has fallen on to the ground and Thoven is devouring them.
“Thoven, my poor Thoven, what you went through, ” the Maestro cries out. On the floor, holding, cradling Thoven in his arms, sobbing, burying his face in her luxuriant white fur, “Thoven, my poor Thoven.”
The erotic scene, Closer to Heaven, the stricken Jong Woo now a paraplegic, his body, but not his senses, failing him, the lovemaking so extraordinary, so rich, so deeply intimate and honest, beautifully suggestive, shadows on a wall – their act of love transcending the tragic to the sublime, their true love more powerful than inexorable death.
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The fire scene, Lord of the Dramas. Anthony Kim, ruthless, selfish, despised television producer, king of the industry, as portrayed by Kim Myung-min.
And
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